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for once agree with the Vatican: the ignorance of the Bel Paese Italian

will not be a famous head in agreement, but the site Affairs Italians, like other blogs and sites on the web, it is not made worse and wrote the Corriere della Sera, a former "big day", or the Republic, which has never been great but now fallen to tabloid Popular full of advertisements, tv, football, gossip political, crime, scandals, and errors of Italian titles wrong. But the interview with a former director of the museums of Florence, then Minister of Culture and now director of the Vatican Museums, is one of those who leave their mark. Only provincialism snob el ' inadequacy of the "Italian journalists, mostly recommended , a cui fa comodo considerarsi "giornalisti che fanno opinione", lo ha fatto passare sotto silenzio.
E’ la prima volta che una dichiarazione , una posizione proveniente dal Vaticano, ci trova d’accordo. Paolucci spara duramente contro l’ottusità degli Italiani e, lo si arguisce, anche della classe politica che dovrebbe governarli ed educarli, ma che – aggiungiamo noi – è spesso peggiore del peggiore popolino. Avete ascoltato a Radio Radicale i discorsi dal vivo di deputati o senatori? In alcuni casi fanno rabbrividire dalla vergogna: parlano e ragionano molto meglio certi baristi e meccanici di nostra conoscenza.
Paolucci expertly connects the crisis influx of museums in the decay of the Italian countryside, which ultimately is the image in the world, the picture postcard that would encourage tourists to "visit Italy" and then "even "its museums. Reasoning flawless, because those who move from Arkansas or Japan does not think instinctively in Italian museums, but in Italy itself, indeed, a certain image of Italy that has been passed down from great travelers nineteenth century. But
, Italy, now it's ugly, more ugly, but beautiful country . Why tourists should run? The land is devastated as in a few areas in Europe. Squalid suburbs? Sure, but the suburbs in Italy starting from the old town. They are often ugly and can bring down the "peripheries" built in the twentieth century. Rome, for one thing, the city is ugly, ugly. As soon as you exit from the Aurelian walls, for example from Porta del Popolo, or from Porta Pia and Porta Capena or Porta San Pancrazio. One can enjoy the scenic Valadier's Piazza del Popolo , walks through the door and immediately immersed in ugliness Piazzale Flaminio horror. Possible that no political or administrator noticing?
But above se torniamo in treno dal Nord Europa, stringe il cuore nel vedere le campagne italiane. Come i dolci declivi, i poggi meravigliosi e i filari di alberi sono maltrattati dagli unici frequentatori e padroni della campagna: i contadini.
Abbiamo in Italia una natura addomesticata ( ché tale è la campagna) governata da agricoltori per bisogno o fatalità, spesso senza alcuna passione, rozzi e ignoranti, ottusi nella loro pigrizia, incapacità e parsimonia. E non sia scusa la passata o presente povertà. Quando si trattava non di acquistare materiali edilizi costosi, ma di utilizzare col proprio lavoro le ottime pietre del campo per costruire le case coloniche, come in tutti countries of Europe, the average Italian peasant, laziness and lack of role models, pulled up as best of the walls worthy of a stable, not a house. What's the difference with the ancestors Etruscans and Romans, whose homes, even agricultural ones, aroused the wonder of the barbarian invaders who still lived in huts of wood and unbaked clay. But now that distance with the beautiful and refined rustic houses of Great Britain, Germany, France, who also have much lower than our natural landscapes.
Italy seen from the train is all a horrible string of animals to booth made of cardboard, glass, abandoned lockers, beds and cots. In the white fields dominate everywhere, obscene, bathtubs enamel, engaged on springs for the animals. With all the stones to available.
And if you forward in the fields - a disgrace to the home of Columella, Cato and Leon Battista Alberti - there is no more noble wood, which also abounds in Italy, among the country's richest vegetation and forests. But everywhere reign supreme as in Africa, the landfills, the waste iron sheets, ondulex , asbestos, lead the squalid cement clinker from the Third World, and plastic, so plastic, in any form , texture and color.
A shame. Material degradation that hides a deeper degradation intellectual and moral, involving governments, the Parliament, the political class, the school (the ignorance of Italian teachers is unique enough to see or interview students) and families.
right, then, the director of the Vatican Museums (in ' interview on Italian affairs): even the widespread crisis in the tourism stems from ignorance of the Italians who reflects on devastation of land and environment. The same ignorance that makes even the residents prefer the obscure villages, traveling abroad (Canary Islands, Maldives, Greece, etc.) rather than beautiful in Italy, who do not know. So much so that everyone uses as a false excuse the alleged "high price" of tourism in Italy. And so they are skin and elsewhere in Greece, where he spends even more, and without the beauty, comfort and kindness that we are accustomed. ( NV)
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The crisis also affects the Vatican Museums.
THE DIRECTOR: "WE THE LANDSCAPE disgraced"
Fabio Carosi
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"Crolla demand for culture, including museums, with a strong decrease of visitors especially in southern Italy. But the major concerns are for a total bid Italian tourism because of beautiful country that no longer exists. "The faults? A ravaged environment and ignorance that leads us to go abroad civic ignoring our museums." From
comfortable chair even if delicate director of the Vatican Museums, Antonio Paolucci , exclusive Affaritaliani , denounced the crisis of our national museum system, struggling with a dramatic drop in visitors. And revenue. For Professor Paolucci already superintendent of the State Museums of Florence and Minister of Culture of the Government Technical Dini, the crisis was very evident causes ranging from cement the landscape, the construction of cities with "hideous suburbs", to the lack of culture of the Italians, for passing that vice italics to cheat tourists.
Opens with data from home: "Faced with a decline of 10-12 percent reported by our Ministry, the Vatican Museums hold punch. In 2008, we closed with 4 million visitors and 444mila this year to 31 December with 4 million and 250 thousand. This means 2 million euro in revenue in less of tickets and merchandising .
For the director of the most important museum in Italy (even if protected by the walls of 'extraterritoriality ), the entire blame for the crisis Italian: "We have disgraced the landscape - he says in no uncertain terms - transforming the city into the suburbs and ugly chasing the competition with foreign countries. We must pursue a tourism that comes out of the classic" turisdotto , "that is in the pipeline They come as tucked the tursi , sent to Florence, Rome and Pompeii. We have to go to Empoli, Castelfranco Veneto, Vicenza, Belluno and then Todi and Narni . We are still the subject because there is stereotype of Roman Holiday. "
Therefore prophecy: "The decline is the fault of the Italians - says the professor - if they done as efficiently in Switzerland and services will be at first. Instead we are doomed to decline, because sooner or later the stereotype of the beautiful country end.
Paolucci concludes with a suggestion: "We need to return to Pasolini and Writings Corsairs healthily and become reactionary, convincing the people who are ignorant and that must maintain their ignorance. "